58th NATIONAL FILM AWARDS FOR 2010
FEATURE FILMS
|     S. No.  |        Name of Award  |        Name of Film  |        Awardee  |        Medal & Cash Prize  |        Citation  |   
|     1  |        BEST FEATURE FILM  |        Adaminte Makan Abu (Malayalam)  |        Producer: Salim Ahamed   Director :Salim Ahamed    |        Swarna Kamal   Rs 2,50,000/- Each  |        For a simple yet evocative   articulation of humanist values that frees matters of faith from the   constrictions of narrow parochialism. The concerns of Abu, son of Adam, are   timeless and universal in their scope.  |   
|     2  |        INDIRA GANDHI AWARD FOR BEST DEBUT   FILM OF A DIRECTOR  |        Baboo Band Baaja (Marathi)  |        Producer: Nita Jadhav   Director : Rajesh Pinjani    |        Swarna Kamal   Rs 1,25,000/- Each  |        For a riveting tale of a father   reluctant to educate his son, a mother who fiercely believes in its   liberatory value, and the son who is caught in the crossfire, ‘Baboo’ is an   outstanding debut project by director.  |   
|     3  |        AWARD FOR BEST POPULAR FILM PROVIDING   WHOLESOME ENTERTAINMENT  |        Dabangg (Hindi)  |        Producer: Arbaaz Khan, Malaika Arora   Khan & Dhilin Mehta   Director : Abhinav Singh Kashyap  |        Swarna Kamal   Rs 2,00,000/- Each  |        Answers the need of cinegoers for   entertainment rooted in Indian soil.  |   
|     4  |        NARGIS DUTT AWARD FOR BEST FEATURE   FILM ON NATIONAL INTEGRATION  |        Moner Manush (Bengali)  |        Producer: Gautam Kundu   Director : Goutam Ghose  |        Rajat  Kamal   Rs 1,50,000/- Each  |        For celebrating the union of the   human spirit through the life and song of Sufi poets in the Baul tradition.  |   
 
|     5  |        BEST FILM ON SOCIAL ISSUES  |        Champions (Marathi)    |        Producer: Aishwarya Narkar   Director :Ramesh More  |        Rajat  Kamal   Rs 1,50,000/- Each  |        In a world of deprivation, the thirst   for an education surpasses the hunger for food amongst two young brothers   fending for each other and their mother.  |   |
|     6  |        BEST FILM ON ENVIRONMENT   CONSERVATION/PRESERVATION  |        Bettada Jeeva (Kannada)  |        Producer: Basantkumar Patil   Director : P. Sheshadri  |        Rajat Kamal Rs 1,50,000/- Each  |        An old couple steeped in the soil of   their environment yearn for the return of their son while nurturing the   growth of their young plantation against all odds.  |   |
|     7  |        BEST CHILDREN’S FILM  |        Hejjegalu (Kannada)  |        Producer: Basantkumar Patil   Director : P.R. Ramadas Naidu  |         Swarna Kamal   Rs 1,50,000/- Each  |        A little girl cheerfully takes on the   challenge to preserve the fabric of her family.  |   |
|     8  |        BEST DIRECTION  |        Aadukalam (Tamil)  |        Vetrimaran    |        Swarna Kamal   Rs 2,50,000/-  |        For a gritty tale of love, jealousy   and betrayal in the midst of bloodsport and violence, in the manner of   realistic cinema.  |   |
|     9  |        BEST ACTOR  |                Aadukalam (Tamil)        Adaminte Makan Abu (Malayalam)  |                Dhanush          Salim Kumar  |        Rajat  Kamal   Rs 50,000/- (sHARING)  |        Two riveting performances that fuse   character and actor into one:   To Dhanush for the raw, nuanced   portrayal of a cocky young man who learns lessons about life the hard way.   To Salim for a deep, restrained   performance of a simple man with an unshakeable belief in his quest for   salvation.  |   |
|     10  |        BEST ACTRESS  |                    Baboo Band Baaja (Marathi)     Thenmerkku Paruvakkatru (Tamil)  |                    Mitalee Jagtap Varadkar       Saranya Ponvannan  |        Rajat  Kamal   Rs 50,000/- (sHARING)  |        The picture of two mothers whose   concern for bettering the lives of their children in the face of untold   hardship:   As a mother who strives to realise   through her son her dreams of a better future.   As a fiercely combative single mother   who shields her son to the point of sacrifice.  |   |
|     11  |        BEST SUPPORTING ACTOR  |        Mynaa (Tamil)    |        J. Thambi Ramaiah  |        Rajat  Kamal   Rs 50,000/-  |        For a heart-warming performance as a   policeman who discovers his humanity in the process of capturing an escaped   fugitive.  |   |
|     12  |        BEST SUPPORTING ACTRESS  |        Namma Gramam (Tamil)  |        Sukumari  |        Rajat  Kamal Rs 50,000/-  |        For a sensitive portrayal of an aged   widow who challenges orthodoxy when restrictions are placed upon her widowed   granddaughter.  |   |
|     13  |        BEST CHILD ARTIST  |                I am Kalam (Hindi)       Champions (Marathi)       Baboo Band Baaja (Marathi)  |                1. Harsh Mayar         2. Shantanu Ranganekar & 3. Machindra Gadkar   4. Vivek Chabukswar  |        Rajat  Kamal   Rs 50,000/- (sHARING)  |         Four actors for expressing with charm and heartbreak   the world of the child: For performing with bright, shining eyes and an urchin smile, the razor sharp spirit of a survivor who dreams of excelling. For two brothers bonded by blood and responsibility battling for   survival in the underbelly of a heartless   city.   For capturing the indomitable spirit   of a young village boy who is hungry to learn in an environment that closes all doors on him.  |   |
|     14  |        BEST MALE PLAYBACK SINGER  |        Mee Sindhutai Sapkal (Marathi)  |        Suresh Wadkar  |        Rajat  Kamal   Rs 50,000/-  |        For rendering soulful lyrics in a   resonant voice soaked in emotion with a purity of musical expression and   spiritual empathy.  |   |
|     15  |        BEST FEMALE PLAYBACK SINGER  |        Ishqiya (Hindi)  |        Rekha Bhardwaj  |        Rajat  Kamal Rs 50,000/-  |        For a sensual and evocative rendering   of a heart longing for the beloved.  |   |
|     16  |        BEST CINEMATOGRAPHY  |        Adaminte Makan Abu (Malayalam)  |        Cameraman : Madhu Ambat      |        Rajat  Kamal   Rs 50,000/-  |        For the visual poetry that augments   and reinforces the concern of the narrative and for unfolding the infinite   vistas of nascent digital technology in the visual medium.  |   |
|     17  |        BEST SCREENPLAY  |        Aadukalam (Tamil)           Mee Sindhutai Sapkal (Marathi)       Mee Sindhutai Sapkal (Marathi)  |        Screenplay Writer (Original) : Vetrimaran     Screenplay Writer (Adapted) : Anant Mahadevan & Sanjay Pawar Dialogues : Sanjay Pawar  |        Rajat  Kamal Rs 50,000/-       Rajat  Kamal Rs 50,000/-       Rajat  Kamal Rs 50,000/-  |         For its kaleidoscopic variety   that uses realism, tradition and contemporaneity, soaked in local flavour on   an infinite canvas.   For retaining the concerns and values   of a biographical account while translating it into the cinematic medium and   honouring the essence of the original. For bringing to life the textures of   various characters through articulating their emotion and thought process.  |   |
|     18  |        BEST AUDIOGRAPHY  |        Ishqiya (Hindi)           Chitrasutram (Malayalam)         Ishqiya (Hindi)  |        Location Sound Recordist : Kaamod Kharade       Sound Designer : Subhadeep Sengupta       Re-recordist of the final mixed track   : Debajit Changmai  |        Rajat  Kamal   Rs 50,000/- each  |        For capturing the soft nuances and   variations of the artists’ voices and location ambience in a sensorial   manner.   For the use of various sound effects   along with existing ambience to impart a subliminal experience in this   abstract work.   For merging voices, location   ambience, background music and other sound effects to create a near-tactile   experience that is both real and artistic.  |   |
|     19  |        BEST EDITING  |        Aadukalam (Tamil)    |        T.E. Kishore  |        Rajat  Kamal   Rs 50,000/-  |        For the subliminal impact created by   the use of montage so as to bring to the fore thematic concerns of the   narrative in a holistic manner.  |   |
|     20  |        BEST PRODUCTION DESIGN  |        Enthiran (Tamil)  |        Sabu Cyril  |        Rajat  Kamal   Rs 50,000/-  |        For the style and finesse realised in   the creation of a set design that is coherent with the futuristic visual   style of the narrative.  |   |
|     21  |        BEST COSTUME DESIGNER  |        Namma Gramam (Tamil)  |        Indrans Jayan  |        Rajat  Kamal   Rs 50,000/-  |        For realising effectively the texture   of a period in the history of modern India through miniscule attention to   detailing.  |   |
|     22  |        BEST MAKE-UP ARTIST  |        Moner Manush (Bengali)  |        Vikram Gaikwad  |        Rajat  Kamal   Rs 50,000/-  |        For the admirable detailing and   remarkable consistency achieved in the etching of the characters across an   extensive time span.  |   |
|     23  |        BEST  MUSIC DIRECTION  |        Ishqiya (Hindi)       Adaminte Makan Abu (Malayalam)  |        Music Director (Songs) : Vishal   Bhardwaj   Music Director (Background Score) :   Issak Thomas Kottakapally  |        Rajat  Kamal   Rs 50,000/- each  |        For blending rustic flavour with the   Indian classical tradition.   For minimalistic use of appropriate   background score to nurture the essence of the narrative.  |   |
|     24  |        BEST LYRICS  |        Thenmerkku Paruvakkatru (Tamil)  |        Vairamuthu  |        Rajat  Kamal   Rs 50,000/-  |        For giving a meaningful expression to   the narrative through contextual amplification of the emotion.  |   |
|     25  |        SPECIAL JURY AWARD  |        Mee Sindhutai Sapkal (Marathi)  |        Producer: Bindiya & Sachin   Khanolkar   Director : Anant Narayan Mahadevan  |        Rajat  Kamal   Rs 2,00,000/-  |        For a powerful cinematic presentation   of an epic journey of a living character, an abandoned woman who refused to   become a victim and in the process not only transformed her own life but also   the lives of many others.  |   |
|     26  |        BEST SPECIAL EFFECTS  |        Enthiran (Tamil)  |        V. Srinivas M Mohan  |        Rajat  Kamal   Rs 50,000/-  |        For bringing of age a spectrum of   visual special effects in Indian cinema and creating a space for the   practitioners of this art form on the global map.  |   |
 
|     27  |        BEST CHOREOGRAPHY  |        Aadukalam (Tamil)    |        Dinesh Kumar  |        Rajat  Kamal Rs 50,000/-  |        For the native charm and innovative   design in the art of choreography that creates an effervescent energy in the   spectator.  |   
|        |        BEST FEATURE FILM IN EACH OF THE   LANGUAGE SPECIFIED IN THE SCHEDULE VIII OF THE CONSTITUTION  |           |           |           |           |   
|     28  |         BEST ASSAMESE FILM  |        Jetuka Patar Dare  |        Producer: Md. Noorul Sultan   Director : Jadumoni Dutta  |        Rajat  Kamal   Rs 1,00,000/- Each  |        For a heart-warming portrayal of the   rural landscape with an emphasis on the need for self-reliance in the process   of development.  |   
|     29  |         BEST BENGALI FILM  |        Ami Aadu  |        Producer: New Theatres Pvt. Ltd   Director : Sonmath Gupta  |        Rajat  Kamal   Rs 1,00,000/- Each    |        For the subtle portrayal of an   endearing love story in the time of cultural conflicts. It is a sincere   attempt to present the personal tragedy of the emigrant commoner caught in   the crossfire of international wars.  |   
|     30  |        BEST HINDI FILM  |        Do Dooni Char  |        Producer: Arindam Chaudhuri Director : Habib Faisal  |        Rajat  Kamal   Rs 1,00,000/- Each  |        For an entertaining narrative that   brings to the fore the struggle of a school teacher who is torn between   maintaining his integrity and the lure of a little more comfort.  |   
 
|     31  |        BEST KANNADA  |        Puttakkana Highway  |        Producer: Shylaja Nag & Prakash Raj   Director : B. Suresha  |        Rajat  Kamal   Rs 1,00,000/- Each    |        For a persuasive articulation of a   topical social issue where in the name of development, land is appropriated   and people are displaced as a consequence.  |   
|     32  |        BEST MALAYALAM FILM  |        Veettilekkulla Vazhi  |        Producer: B.C. Joshi   Director : Dr Biju  |        Rajat  Kamal   Rs 1,00,000/- Each  |        For narrating the story of a doctor   who overcomes personal loss to journey through an unfamiliar landscape to   fulfil a promise to a dying mother and in the process finds a personal   salvation.  |   
|     33  |        BEST MARATHI FILM  |        Mala Aai Vhhaychay  |        Producer: Samruddhi Porey   Director : Samruddhi Porey  |        Rajat  Kamal   Rs 1,00,000/- Each  |        For an emotional presentation of the   story of a surrogate mother who is torn between love and sacrifice for the   child.  |   
|     34  |        BEST TAMIL FILM  |        Thenmerkku Paruvakkatru  |        Producer: Shibu Isaac   Director : Seenu Ramasamy  |        Rajat  Kamal   Rs 1,00,000/- Each  |        For an emotive articulation of the   combative spirit of a mother for whom her son’s happiness is paramount.  |   
|     35  |        BEST ENGLISH FILM  |        Memories in March  |        Producer: Shrikant Mohta   Director : Sanjoy Nag  |        Rajat  Kamal   Rs 1,00,000/- Each  |        For the effective exploration of a   bereaved mother’s coming to terms with the fact of her son’s sexual identity.  |   
 
|     36  |        SPECIAL MENTION  |        Bettada Jeeva (Kannada)                     Aadukalam (Tamil)  |        Late Shivaram Karanth                       V.I.S. Jayaraman  |        Certificate only                     Certificate only  |        For an industry that has steadfastly   refused to acknowledge and reward its creative fountainhead – the creator of   its stories – the citation acknowledges a literary giant, the late Dr.   Shivaram Karanth. The citation also acknowledges his valuable association   with the world of Indian cinema.   With a face carved out of teak and   leather, the patriarch of a cock-fighting clan stands like a colossus, even   when he feels his power and authority ebbing through his fingers.  |   
 
 
 
 
 
 
 
 
 
58th NATIONAL FILM AWARDS FOR 2010
NON- FEATURE FILMS
|     S. No.  |        Name of Award  |        Name of Film  |        Awardee  |        Medal & Cash Prize  |        Citation  |   
|     1  |        BEST NON-FEATURE FILM  |        Germ    (Hindi)  |        Producer: Satyajit Ray Film & Television   Institute, Kolkata   Director : Snehal R. Nair  |        Swarna Kamal   Rs 1,50,000/- each  |        Through abstract visualization and   endearing black & white tones, the film depicts the human existence,   afflicted by cancer, in a very sublime and somber tone. Along with the   perception and growth, from child to youth and by the curious collection of   thrown passport photographs, the film maker presents the changing perspective   of the vision of the modern growing world in a very engaging manner.  |   
|     2  |        BEST DEBUT NON-FEATURE FILM OF A   DIRECTOR    |        Pistulya   (Marathi & Telugu)  |        Producer: Nagraj Manjule   Director : Nagraj Manjule  |        RAJAT  Kamal   Rs 75,000/- each  |        It is a delightful exposition of the   poignant life of a poverty-stricken child, who nurtures a dream of embracing   the source of learning through education, with simplicity and fluency. The   director portrays the spirit of adventure of the child, through fine   performances.  |   
|     3  |        BEST ETHNOGRAPHIC FILM  |        Songs of Mashangva   (Tangkhul, Manipuri & English)  |        Producer: Oinam Doren   Director : Oinam Doren  |        RAJAT  Kamal   Rs 50,000/- each  |        An insightful foray into the complex   and layered life of a ‘song’ and all that it carries within it for a   community. It inquires into the shared critical history of a community in the   specific context of an overarching missionary presence and how it has affected   their lives. The jury appreciates it for the courageous, yet poetic   exploration of the subject from the ethnographic perspective.  |   
 
|     4  |        BEST BIOGRAPHICAL FILM  |        Nilamadhaba   (English)  |        Producer: Films Division   Director : Dilip Patnaik  |        RAJAT  Kamal   Rs 50,000/- each  |        An intimate portrayal of the   inimitable Sunanda Pattanaik, whose life is inseparable from contemporary   Indian classical music. The film explores the inner spirit of the artist   through evocative moments, pregnant with visual passages.  |   
|     5  |        BEST ARTS and CULTURE FILM  |        Leaving Home   (English & Hindi)  |        Producer: Jaideep Varma   Director : Jaideep Varma  |        RAJAT  Kamal   Rs 50,000/- each  |        It is an emotive and enthralling   exposition of the passion and dedication of a group, bound by the spirit of   music, who transcend the commercial boundary to embrace their original   creative flair. Without compromising, the group led to the adventure with courage   and guts. The film maker has journeyed through this adventure with dramatic   sensibility and compassion.  |   
|     6  |        BEST SCIENCE & TECHNOLOGY FILM    |        Heart to Heart   (Manipuri & English)  |        Producer: Rotary Club of Imphal   Director : Bachaspatimayum Sunzu  |        RAJAT  Kamal   Rs 50,000/- each  |        A very well constructed reality with   an engaging dramatic sensibility, that depicts the grimness of natural health   maladies. It guides the viewer through emotions and playful spirit of the   child. With the help of medical science, it enlightens the viewer with   awareness of Congenital Heart Defect and its promising treatment.  |   
|     7  |        BEST PROMOTIONAL FILM  |        Ek Ropa Dhan   (Hindi)  |        Producer: Meghnath Bhattacharjee   Director : Biju Toppo and Meghnath Bhattacharjee  |        RAJAT  Kamal   Rs 50,000/- each  |        A succinct and well researched film   looking closely at an innovation applied effectively in the farming of rice.   The film engages successfully with the issue and makes a strong case for the   promotion of the practice called Ek Ropa Dhan.  |   
|     8  |        BEST ENVIRONMENT FILM  |        Iron is Hot   (English)  |        Producer: Meghnath Bhattacharjee       Director : Biju Toppo and Meghnath Bhattacharjee  |        RAJAT  Kamal   Rs 50,000/- each  |        The film is well documented with a   forthright exposition of the grievous impact of pollution due to sponge iron   industry on the inhabitants dwelling around that area. With clarity and   veracity, the film maker is able to express empathy and concern on the acute   prevailing problem over human existence.  |   
|     9  |        BEST FILM ON SOCIAL ISSUES  |        Understanding Trafficking   (Bengali, Hindi & English)  |        Producer: Cinemawoman   Director : Ananya Chakraborti  |        RAJAT  Kamal   Rs 50,000/- each  |        To cross the line of limit, becomes   an issue of indifference. Along this line, the documentary projects the   serious social issue of human trafficking in a very thought provoking manner   through stark and gravitating images. It airs an intriguing atmosphere of   concerns through dramatized and realistic imageries.  |   
|     10  |        BEST EDUCATIONAL FILM    |        Advaitham   (Telugu)  |        Producer: K. Vijaypal Reddy   Director : Pradeep Maadugula  |        RAJAT  Kamal   Rs 50,000/- each  |        The documentary exposes the human   apathy of class difference through casteism in a very evoking and natural   style. Through fun-filled situations and distressing moments, the director   portrays the anguished and tragic aspects of casteism effecting human value   and  relationship.  |   
|     11  |        BEST FILM ON SPORTS    |        Boxing Ladies   (Hindi)  |        Producer: Satyajit Ray Film & Television   Institute, Kolkata   Director : Anusha Nandakumar  |        RAJAT  Kamal   Rs 50,000/- each  |        A sensitive portrayal of young   aspiring talents in a country where sports as passion/ profession comes up   against heavy social odds and family biases. The jury applauds the film for   the restrained and elevating treatment of a crucial subject underlining the   silent dignity of the characters involved.    |   
|     12  |        BEST INVESTIGATIVE FILM  |        A Pestering Journey   (Malayalam, Punjabi, Hindi, English   & Tulu)  |        Producer: Ranjini Krishnan   Director : K. R. Manoj  |        RAJAT  Kamal   Rs 50,000/- each  |        The pet detective in a reverse act,   an emotive documentary exposing not only stories of cruel impact of pest   control on human health but also arrests out attention to a more fundamental   question – who is a pest ?  |   
|     13  |        SPECIAL JURY AWARD    |        Kabira Khada Bazaar Mein   (Hindi)  |        Producer: Srishti School of Art, Design &   Technology, Bangalore   Director : Shabnam Virmani  |        RAJAT  Kamal     Rs 1,00,000/- each  |        An insightful film that introduces us   to the various cults that have grown around Kabir, the mystic weaver and   saint. It explores the nuances of India’s argumentative tradition as   exemplified by Kabir’s dohas and traces the eventful journey of one man caught   in an Orwellion dilemma as he is elevated to the status of a cult leader,   torn between the inevitable trappings of hierarchy that run paradoxical to   the simple philosophy of Kabir.  |   
|     14  |        SHORT FICTION FILM    |        Kal 15 August Dukan Band Rahegi   (Hindi)  |        Producer: Film & Television   Institute of India, Pune   Director : Prateek Vats  |        RAJAT  Kamal   Rs 50,000/- each  |        With energy and vigour, the   documentary records very interesting images of a group of young students, who   are trying to relate, with ideology of freedom and the stifling authoritarian   reality. In the process, the life is entangled with intrigues and doubts.  |   
|     15  |        BEST FILM ON FAMILY VALUES    |        Love in India   (Bengali & English)  |        Producer: Overdose   Director : Kaushik Mukherjee    |        RAJAT  Kamal   Rs 50,000/- each  |        Explores and deconstructs the   traditional and orthodox landscapes of love, sexuality and conjugal   relationships and the dynamics of emerging sexual politics and value systems   in contemporary India with clarity and insight laced with subtle humour.  |   
|     16  |        BEST DIRECTION  |        Shyam Raat Seher   (Hindi & Engish)  |        Director : Arunima Sharma    |        Swarna Kamal   Rs 1,50,000/-each  |        Intelligent articulation of a shared   urban angst in a powerful cinematic style and well constructed mise-en-scene.    The maturity of the director is reflected in the balanced approach to   all the elements that blend to create an impression in the viewers mind.    |   
|     17  |        BEST CINEMATOGRAPHY    |        Shyam Raat Seher   (Hindi & English)  |        Cameraman: Murali G.   Laboratory : Film Lab  |        RAJAT  Kamal   Rs 50,000/- each  |        Imaginative yet minimal, a balanced   and evocative cinematography creates a character out of a city night   atmosphere, setting the space and mood for the living characters in their   journey beyond the real, nearing mythical.  |   
|     18  |        BEST AUDIOGRAPHY  |        A Pestering Journey   (Malayalam, Punjabi, Hindi English   & Tulu)  |        Re-recordist (final mixed track) : Harikumar  Madhavan Nair  |        RAJAT  Kamal   Rs 50,000/- each  |        Does one hear the cry of the pest? In   between the sound of the real and evoking music, the ensuing silence tells us   the stories beyond.  |   
|     19  |        BEST EDITING    |        Germ   (Hindi)  |        Editor : Tinni Mitra      |        RAJAT  Kamal   Rs 50,000/- each  |        The abstract visualization and   endearing black &white tones are very effectively punctuated with fine   editing, and in the process it maintains a very subtle and flowing rhythm and   pace to carry forward the cinematic work.  |   
|     20  |        BEST NARRATION (for Writing the   Narration)  |        Johar : Welcome to Our World (Hindi   & English)  |        Nilanjan Bhattacharya  |        RAJAT  Kamal   Rs 50,000/- each  |        A seamless powerful narrative about   the symbiotic intricate relationship, the tribals of Jharkhand have with   their forests and their struggle for existence against mindless aggressive   development and flawed conservation policies, told with empathy and sincerity.  |   
|     21  |        Special Mention  |        a. Ottayal (One Woman Alone)   ( Malayalam)         b. The Zeliangrongs   (Manipuri & English)         c. Pistulya   (Marathi & Telugu)  |        a. Director: Shiny Jacob Benjamin             b. Director Ronel Haobam                     c. Child Artist: Suraj Pawar  |           |        a. It is a heart warming portrayal of   the woman Dayabai, who trades along a challenging path in quest of truth. The   director, delves into the spirit of the woman to understand the theology of   liberation, with sincerity and intelligence.   b. It is a well researched endeavour   to reflect a composite group of ethnic communities of common origin and   socio-cultural back-ground, which highlights the rich cultural heritage and   the tribes’ traditional way of life, which is on the brink of extinction.   c. Under distressing situation and   harsh reality, Pistulya, the child protagonist, displays the authenticity   with vibrant and emotive expression.  |   
58th  NATIONAL FILM AWARDS FOR THE YEAR 2010
BEST WRITING ON CINEMA
|     S. No.  |        Name of Award  |        Name of Book  |        Awardee  |        Medal  |        Citation  |   
|     1.  |        BEST BOOK ON CINEMA  |        From Rajahs and Yogis to Gandhi and   Beyond: Images of India in International Films of the Twentieth Century    (English)  |        Publisher : Seagull Books   Author:  Vijaya Mulay      |        Swarna Kamal   Rs 75,000  |        Here is a work of rigorous film   scholarship which took the author to many lands and consumed many years of   her life. Written in a clear lucid style, the book evokes a panoramic view of   India that perhaps was through the eyes of several filmmakers of foreign   origin. What adds an extra dimension to the book is the author’s narration of   her own life in films even as she is engaged in telling the larger events on   and off screen.  |   
|     2.  |        SPECIAL MENTION  |        1. Cinema Bhojpuri  (English)             2. Thiraicheelai (Tamil)    |        Publisher : Penguin Books India Ltd   Author : Avijit Ghosh     Publisher : Trisakti Sundar Raman   Author : Oviyar Jeeva  |        Certificate  |        1. Often dismissed as a poor cousin   of mainstream Hindi cinema, Bhojpuri cinema, however has many interesting   cultural strains that Avijit Ghosh has laid bare. Any one conversant with   life in North Bihar and East Uttar Pradesh, or in many lands far beyond,   would recognize the importance of this ‘subaltern’ effort.   2. This book is a sincere attempt to   analyse important developments in Tamil films. It also provides an insight   into the classics of world cinema, highlighting their aesthetic values.  |   
|     3  |        BEST FILM CRITIC  |        Joshy Joseph (English)     and     N. Manu Chakravarthy (Kannada &   English)      |           |        Swarna Kamal   Rs 37,500     Swarna Kamal   Rs 37,500  |        Joshy Joseph, essentially a   filmmaker, proves to be an important critic as well, as he goes about writing   on the most serious aspects of medium with wry humour and a lightness of   touch that is difficult not to notice. His commitment to the documentary in particular   sets him apart from many of those writing on cinema in this country.   Professor Chakravarthy’s writings on   film and related arts are replete with profound insights into the human   condition as well as the need for serious discourse on socio-cultural   matters. His writings reveal the authority with which he can discuss the   cinemas of the world, particularly his own Kannada cinema.  |   
 
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Congrats to all the winners !!
ReplyDeleteThanks for the complete story of the 58th national award winners@ Shameer reviews
- karthik m somasundaram
asst director
chennai